Creative Contraption

The Latest In Creative Contraptions

  • Pinterest
  • RSS

Minneapolis-based studio Buddy-Buddy creates an organic-inspired identity for Good Flower Farm

Pin It

Taking inspiration from the very ingredients behind its client’s skincare range, Minneapolis-based brand design studio, Buddy-Buddy, has crafted this organic-feeling identity for Good Flower Farm.

The work is part of a rebranding exercise for the Tennessee firm, which lies nestled on thirteen acres of farmland and where its team has spent the last decade growing organic herbs and flowers for its facial serums, body creams, body oils, and deodorants.

It approached Buddy-Buddy in late 2019 to lead a brand relaunch including a new visual identity, illustration library, and packaging overhaul of its 20-SKU portfolio. “Despite launching the new brand amidst a global pandemic and recession, Good Flower Farm posted a 250% sales increase from 2019 and tripled its wholesale accounts in a span of just three months,” says Andy Kaul, managing director at Buddy-Buddy. 

The brief was to help Good Flower Farm clearly communicate the high-quality, organic, and handmade aspect of its products while differentiating the brand within an increasingly-saturated personal care category. It also had to be a flexible design system that can grow as the brand’s range of products expands.

We love the colour palette to match the theme of each product – earthy greens for Pine Cedarwood and soft lilacs for Lavender Tea Tree. Even the logo feels organic with an illustrative, hand-drawn element and a mark that nods to the biodynamic and permaculture practices of the farm.

As part of the rebrand, Buddy-Buddy commissioned photographer Colleen Guenther to develop a suite of lifestyle imagery for Good Flower Farm.

Pin It

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Recent Articles

Fascism, football and Helvetica feature on a journey through Italy’s visual landscape

February 22, 2021 By

Building beauty into brands: Alan Moore on how to design a business the world needs

February 22, 2021 By

Love typography? Now you can smell like it!

February 22, 2021 By

Today’s apps like TikTok, Facebook and Tinder reimagined as their ’90s counterparts

February 19, 2021 By

Florian Schommer on how punk and skater culture kickstarted his creativity

February 19, 2021 By

The endlessly charming, joyful work of Hugo Bilton leaves you content and nostalgic

February 19, 2021 By

Ethereal, rainbow paintings by Primary Hughes that show hidden human depths

February 19, 2021 By

Ananya Mohan on social purpose, avoiding stereotypes and her dazzling practice

February 18, 2021 By

Ahra Kwon and her little utopias

February 18, 2021 By

The act of making and anthropology: Emma Crabtree on visual poetry and finding beauty in ugly things

February 18, 2021 By

Related Articles

  • Uplifting short film featuring 46 dancers from 20 countries reminds us of our shared humanity

    Feb 26, 2021
  • Artist tackles lockdown boredom by replicating his entire living room in recycled denim jeans

    Feb 26, 2021
  • O Street injects some fun and optimism in ‘online at home’ rebrand for Glasgow Film Festival

    Feb 25, 2021
  • Puuung on creating the internet’s most beloved cartoon couple

    Feb 25, 2021
  • Childish Design kicks off its ‘design for better purposes’ with new identity for plant-based baby food

    Feb 25, 2021
  • Futura creates packaging with illustrated ‘pistachio-worshippers’ for new milk brand

    Feb 25, 2021
  • Tré Seals on protest graphics, typography and getting into design with Pentagram partner Naresh Ramchandani

    Feb 24, 2021
  • The many faces of line artist Tzu-Han Huang

    Feb 24, 2021
  • 19 Artists versus Covid-19, and how Fedrigoni is pushing socially distanced ‘togetherness’

    Feb 24, 2021
  • ‘When you are teaching art, you’re helping people realise who and what they are’

    Feb 24, 2021

Copyright © 2021 CreativeContraption.net

Privacy Policy · Terms of Use · Sitemap · Contact

This website uses cookies to ensure you get the best experience on our website. Learn more.